Result for FA1E5C3B612E332B1CF078504E050A57F58E21F7

Query result

Key Value
FileNameGFS_FLEISCHMAN.zip
FileSize31995
MD5ADCB048BDCA18DD243C0337BDB0C5ECD
SHA-1FA1E5C3B612E332B1CF078504E050A57F58E21F7
SHA-2564D35FAD8C6C268E8E2C63E9380396487A9987EC21DDD99C6FD31C48B9556A0EF
SSDEEP768:k1g7C7ONzrKlqyyaFA8oI2QO1dRWPlwxJlVb:wgHrQQIA22QgRW9wL
TLSHT1F7E2E117EBF206B2C110A8F03087D12C2D6062560AF79B3D7A32F5B922754B9D275DE8
hashlookup:parent-total9
hashlookup:trust95

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Parents (Total: 9)

The searched file hash is included in 9 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD5276FA751961A1291C1A323D42D9CF9AB
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease6.fc12
PackageVersion20080303
SHA-12EA9B0AC0A32F0F045AD6824B54D87B115C6126D
SHA-2567909048658B0F43F2C4630EC2569DF8C9BBF1819491742972223FBFB1CB6BB1F
Key Value
MD5FC147A5D446E8B6E2A42492DD4B208A3
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remained alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century aesthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease25.fc32
PackageVersion20080303
SHA-115EB88E61CDDE09AF46EC7214A689F23A683D175
SHA-2565D433994B6D731F74E5198A111E261C25B6D489F3B735AE865F5232C6DDD1C0C
Key Value
MD54946BE96F5C3D0F8C486D456ADE3FFBF
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease7.fc15
PackageVersion20080303
SHA-1A9C39A84448961EB6788416A8052A8D2829B7737
SHA-2569F253D70C0E6755AD7115F0A1E79128A5C1DE4C07327436987E20C8D4306FCA7
Key Value
MD59AFCEB9764B918B4706F239640BF0737
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease14.fc23
PackageVersion20080303
SHA-17CCA6DC531F7C5678261C3998A654384D6A5C858
SHA-256C91E2C98A8742E8BB59B4391A19D1CCC00A562D52BBFD1BD531E090D785C70C9
Key Value
MD5B9A65ADAC114FAE7C702AAF317A0AAF6
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remained alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century aesthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease27.fc33
PackageVersion20080303
SHA-1F432E5AC2CA7CCC1B8D6E5770576E91901E658EC
SHA-256B2748478E788EC6D54DB5E189D11F9593BF038A5E58595EFCE25C63B1BC0067D
Key Value
MD51E30565F60D9E7E936CB032940A61A5B
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease13.fc22
PackageVersion20080303
SHA-1D4F8F223362175E87F1AA4E1B63BB8A517EC877C
SHA-2566CA03D08D13CF87942E39B6F34BB5C14967874E9CCA5B0EE5257CB78A403E69E
Key Value
MD5A73A05F499862A7969F0C34EB1E07E1D
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease6.fc12
PackageVersion20080303
SHA-1945E3B736BF9DC8744DA8C028F1B324EC77BB4C1
SHA-256A76C6A52FF01D908098BCEB17A7DB7BD0621DA3A0060AF9E2753BDAC1FA0F9C5
Key Value
MD53CFA8C56373930A71CA7E92C1B4A3CB7
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease5.fc11
PackageVersion20080303
SHA-1B87FB65B691DF4998E40C72E83BFC4A24B6F6FF0
SHA-256EFF50C81BD660AF4AB748E07DBC87A46EF19A8934CC0DDD2A19C4839EC6D4623
Key Value
MD5644028F723FA50B439274CC6EA39477C
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remained alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century aesthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease27.fc33
PackageVersion20080303
SHA-17B6ADD0C9616897BD3F72F98862A24569847A315
SHA-256F896C0152E0F16C27AB63413457FFC79924ABC852814FF922604546DB3E3587E