Result for F44D5BEF3C980CF97DBB2EDF5E5FD12CE200EC0C

Query result

Key Value
FileName./usr/share/appdata/gfs-garaldus.metainfo.xml
FileSize1134
MD5C87E14F8B6B4C88D99EC07B1E693B7D2
SHA-1F44D5BEF3C980CF97DBB2EDF5E5FD12CE200EC0C
SHA-25619D6314053E8AC83C5EB7A1A594E0528394BF302C11B681EE35D4A3D7126B8A2
SSDEEP24:2d1/9MI76xuiXuym++m5QixwIq4Zikh3JtpGqPj9csqgsKuuo9:c1/917su+uymTmzwKis5331o9
TLSHT123212345FA46537381D24A41EB6FB4C57314D83A9A528850B09C4DBC1F422FFA5FB2F5
hashlookup:parent-total13
hashlookup:trust100

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Parents (Total: 13)

The searched file hash is included in 13 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD5BA95B4FE3EC1E928EE6E950C72E16747
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease15.fc24
PackageVersion20080707
SHA-1CC6489157E0E2CC1C72DD468A60C0FD78B891A90
SHA-2561DC6F059FC5C49788BAA47F3B889BDB080E56E121F00C03FC612245D08F81404
Key Value
MD52979C1B6DDB95D6D21E343A48C25E170
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease14.fc23
PackageVersion20080707
SHA-1592355A0EF8D52A7E2B51AA33329BDF4D6FFACF4
SHA-256C8B18C2148A481DC851E09D49F43D3CD9469F0378459DDE1F0200EA7A1B6CFBE
Key Value
MD5CA66EF590E028598916C1765B7112606
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease14.fc23
PackageVersion20080707
SHA-16A2A80E581D840A803706992A429C3EA55DC7D65
SHA-256DE8976A5888B5D315D4BFE89EFF98457F91F0502FB4D37C07812492B6D256532
Key Value
MD574B12D6CCCEE9365DAE8C9A0A4055D74
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease14.fc23
PackageVersion20080707
SHA-137F5B7073AD7EB94C23607C7DFCE434CE3817999
SHA-256F3BA305545E14FC7DE09ED96CABE90532F5040AE687221333D1E8F0095BDD19D
Key Value
MD59E3223E7BC531C8BD492D63738B8EE89
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease14.fc23
PackageVersion20080707
SHA-155FD90A5B1230B8BE50D6AC282C2DF2AC6DD2C70
SHA-256DDBA5CD053439E8A008C4855E3931AD03263D2C25208B255EA3203C83D8E80DB
Key Value
MD5394B367EB4AFC955C32669DC5EB47514
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease13.fc22
PackageVersion20080707
SHA-1A66DBB813D44BFEED8E1274BCF8B18AA92C6FE57
SHA-25624CC4958618C8C1B4C75033907575763F55A11EE52FB8B477F71EEE3A08B250B
Key Value
MD5424F1275B52E6E3FCDDE2BC783237644
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease13.fc22
PackageVersion20080707
SHA-157808212EE02D58F6B14F195E67734A3DF67AF4B
SHA-256A2290D81762545AEC5091FDC97A777CDA3B4C81DD5C8FC3BE345045AF6377082
Key Value
MD5DCA26C9195D1DAB862AED6165603A989
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease13.fc21
PackageVersion20080707
SHA-1F6B263322C9C729CB3AF670DEBAC9010A318C386
SHA-256DD939EA9C3EACAA30854A8D2102CF89B9E07A06AD0EB71698960706C41F2B624
Key Value
MD51361D82FDFC7AEF8BB0B59A1DF4E7427
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease13.fc21
PackageVersion20080707
SHA-18DCC96E13D9F0FD3E7202FD6ADEDAAE3701E4547
SHA-2560773FA8389F65315D6B79A2D95FFEB5192566931EE532322E1729B4D0EDA6F2A
Key Value
MD50581B2133EA68CAB64E6607893D24985
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease13.fc22
PackageVersion20080707
SHA-1ADB95612C5325E8EB7D5EA2AD47683E56D430BC2
SHA-256C957612E7550CAF75CE9B6CF7384EF2599121F1814EC651CBFB36647780E89B2
Key Value
MD52C3EEE86C0119BC5545912DC7FFE30A9
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease13.fc22
PackageVersion20080707
SHA-1D0C8B37BD46B9422FC97C415E580F87C4315533F
SHA-2563CAFE44315BCD4557E115FBE3CABEFEF66196F233329C8175ED994E0F2C45E02
Key Value
MD5D77F486994F26A47FCF6C7872881DD1E
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease13.fc21
PackageVersion20080707
SHA-166D048560D5D3D716BCC9F1DE966C9C21283F704
SHA-256D65205CBB1F6435F98B126ECDB6B0BE2784ED41765C4C85B9EC6CCBA82247D6C
Key Value
MD5380953C10D226822F33CB47EF6E15FCD
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-garaldus-fonts
PackageRelease15.fc24
PackageVersion20080707
SHA-137D9792F4D21B83A7E67F36987CB9EC69F8539D5
SHA-25661FCAA5ADF63691262A697E4448C030FBD0CBD5D79B13EC1BE0B7E62B4885336