Parents (Total: 8)

The searched file hash is included in 8 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	0E3F7922F81F41C912F3BD1AB3001001
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc22
PackageVersion	20090902
SHA-1	076C43115EAE8E34CAFE05B2F90B5028ECE33D56
SHA-256	71AB2617C779530E01C0B7805DAA25398F5340235A99836E2F906EB493DA749B

Key	Value
MD5	7BFE0BBE46499710BC28CD19C41B9D8C
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	1.fc12
PackageVersion	20090902
SHA-1	9935D6DA943FA7209FC4B39DE6F0D0792DE6B15F
SHA-256	EACBBC032E190DE683FAF75E33FEF780C910BC1B7B9067604DDD4C27AE8B02E5

Key	Value
MD5	AB5E66A693DC48643CC8FCA6226B895F
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	1.fc12
PackageVersion	20090902
SHA-1	D52F6853BC3F9748C45749BB56EB1A040FA3E869
SHA-256	C1D48811F4D71FB79783A88FCC89573D63181D627381E32F13774CC4E9E5A0B6

Key	Value
MD5	8932849CC3E529235B7BDEA25533C608
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	9.fc23
PackageVersion	20090902
SHA-1	6BAA00FF525814496F03566914E830F04BB613D7
SHA-256	2A669AD6E1C987AB6EF30806FE973E050B3E122CF21A0F435036E33BE8F6232E

Key	Value
MD5	9F37A20AD7B51648C6560419DB8F1838
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	22.fc33
PackageVersion	20090902
SHA-1	20AB2E63769359A86A5610C371F4CE5F241730A4
SHA-256	21EAA1E8775C69D650D29F2D1741F6C91D618BF69EA5AD4EC674CC27223AF141

Key	Value
MD5	7ABC1F9A0247ADFCBCEB32A64017878D
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	20.fc32
PackageVersion	20090902
SHA-1	5DF6EF333D919AAF24320EC2013B6773D93B8898
SHA-256	DD2D65C01E16AB52B1C40C702846CB32C79815ABAF2A1D2522490828FE67EC05

Key	Value
MD5	06EFAA10BE1D38D0369C0FDB1646868B
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	22.fc33
PackageVersion	20090902
SHA-1	DD046C45A60C82ACD8E823422C17EA2AD9B5270A
SHA-256	3FBD6BFA65D2435E3F2AB9A7445CC40DC9B740276509D354EDD59D65C99F31C2

Key	Value
MD5	AC8E9D820CE8B1544D6DC7DEC16B28D5
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	2.fc15
PackageVersion	20090902
SHA-1	A1FDAB0E62050A29A68DE62F9CB17FE178EF8604
SHA-256	5A62DBA3E827D3DFEF9984A28AEA748E464FB96E6444327A6856038F743DD278