Parents (Total: 10)

The searched file hash is included in 10 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	DFABAFF0D9256FC70841DE9B7C1D18E9
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	15.fc15
PackageVersion	20070415
SHA-1	51D499F441B5064A9EF873538B726AB67E787FFB
SHA-256	D9B501561D3A360BC6555AAB9D06555349EE7C8D99A38D8D3976F819B46A3A5A

Key	Value
MD5	5575C82B968EF8B156C8EFE415E13772
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	14.fc12
PackageVersion	20070415
SHA-1	B073D806424A630D38850E368A1618E11720340E
SHA-256	294E85B011BD0226D2AFA2C0B12AC1A14FB27444F5A154F5D761E0636388243E

Key	Value
MD5	8A8AA1030527FB6D44DA6CA7A1EBC497
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	ED38B0496C3083B431F61098373C18FA6730F75C
SHA-256	2A0A6C2C9CBD377E6C2304ADCBF94AA5112D49C5C3B8ECA68DD3F7821ECA2291

Key	Value
MD5	5A89E94E869C57B499B4A3588CCEA263
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	14.fc12
PackageVersion	20070415
SHA-1	B81594C068F4CA44514FB07C667E6B3E3AF0003E
SHA-256	25C1C1FC2C08F28D66D94D5D38D4082671AE5C09E571AD1AB65A1301B2C2350C

Key	Value
MD5	A0EA0E17C86DB569C4E952774C6680B6
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodically the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practicing artists of the 60’s and 70’s had graduated. In the late 50’s Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos’ Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealized edition of Theocritos’ Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganized, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitally this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	34.fc32
PackageVersion	20070415
SHA-1	9AFB26104F283241570EB6BF17873FD0E558F05A
SHA-256	798FAB55A746815AA98B28FAC32C9330FA632C5C23696DD6E1F6A985DD59120E

Key	Value
MD5	EE97F3ED2CB69D4CF2E419E8D930E7FD
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	5.fc9
PackageVersion	20070415
SHA-1	FE3FAD30A9D3747AFFDAB4AC6619B600BC2FBB6B
SHA-256	86BA86A477570E8FE2DBEE830288A2B66A63530CAEE2FDD358E8EB17C5765978

Key	Value
MD5	14FEAC2D0E4E0D4561BBC1EFCEA4FD83
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	23.fc23
PackageVersion	20070415
SHA-1	BB607C657D603D6C28482D8FDF8E7D6F90CA3A0D
SHA-256	BEB3E52F7DA0870821F97F2477BA47C231C97AEEE2E5CB48B3590AC86EE97B2D

Key	Value
MD5	2781BAF2CC9F91AD759F1AFE73B3C27C
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	13.fc11
PackageVersion	20070415
SHA-1	31CB621FCF4B87A81C3397A7D43EC5AF204FD748
SHA-256	6CFD39D35FD6C35F1B9261F7178EBD0EE3E5BD15794067DB465C105B2764B597

Key	Value
MD5	CE3AA0AC4A29F5BD78D620D1B683E905
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodically the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practicing artists of the 60’s and 70’s had graduated. In the late 50’s Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos’ Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealized edition of Theocritos’ Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganized, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitally this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	36.fc33
PackageVersion	20070415
SHA-1	3BDF85D56FD0E7D47958DFA74119E28E0ED77CFE
SHA-256	A209B54E2CF00E73E73D335CA2D4D0CA6069A633C58A0E84D5D0D7E417ED8772

Key	Value
MD5	3FB20F2AEF707F4598CF85D8CFBC2677
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodically the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practicing artists of the 60’s and 70’s had graduated. In the late 50’s Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos’ Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealized edition of Theocritos’ Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganized, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitally this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	36.fc33
PackageVersion	20070415
SHA-1	2E86B9D730976A11E85B215EC30041F33D6BBE97
SHA-256	052A2DE5A71AFAA917FCFDAA7FD762F4DF9DCD720E8773118EF4459FDA3E4494