Result for CD851E17A020BAD6FD1AF2B02CB95A0ACC54D751

Query result

Key Value
FileNamegfs-fleischman-fonts.spec
FileSize2384
MD5E8B4C659C938EE93AD933EC29B85ED65
SHA-1CD851E17A020BAD6FD1AF2B02CB95A0ACC54D751
SHA-2561555EFAE1818BCFB60FAA0905B11860B27F233DAA7A3B0C61C96323B0EBD670B
SSDEEP48:8qtsIBjteEVKIdasB4tqLy7wKi65fF3JXtFsLs1cXDAeuV/z2t:X5jteEVKpszci6RJPuA1GYA
TLSHT15A419702661907FF228255AEFF8F67D0635CD279527D6423705C00A903C167371F96E7
hashlookup:parent-total1
hashlookup:trust55

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Parents (Total: 1)

The searched file hash is included in 1 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD5FC147A5D446E8B6E2A42492DD4B208A3
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remained alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century aesthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease25.fc32
PackageVersion20080303
SHA-115EB88E61CDDE09AF46EC7214A689F23A683D175
SHA-2565D433994B6D731F74E5198A111E261C25B6D489F3B735AE865F5232C6DDD1C0C