Parents (Total: 13)

The searched file hash is included in 13 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	E1134EF0D4CC7578D40012383849AEAF
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc21
PackageVersion	20080303
SHA-1	2AB12FDAB86B24974CC53F97E392911660B1F594
SHA-256	B77305B5B63BE10519409A7CED3C5C76A4AA8DA0E6A85FB4ACB4C51161761EFE

Key	Value
MD5	5B579C33BABCC385C120A29E21DE148F
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	14.fc23
PackageVersion	20080303
SHA-1	3881BD2808EB94AEA49E67C612D635A5EA8F842B
SHA-256	4839185184723A6812473FFC778F8879AC871B81FDC0E21E9938045311D887C9

Key	Value
MD5	DA213EB4D1D87FAE5C12002D4A50D871
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc22
PackageVersion	20080303
SHA-1	250466E42F4EF11236C83E43105C2C8A85014536
SHA-256	31C0D201EDC65F41684EC45821BD8BD0B4ECAD3A8532B67AD1091A8BC4418389

Key	Value
MD5	9AFCEB9764B918B4706F239640BF0737
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	14.fc23
PackageVersion	20080303
SHA-1	7CCA6DC531F7C5678261C3998A654384D6A5C858
SHA-256	C91E2C98A8742E8BB59B4391A19D1CCC00A562D52BBFD1BD531E090D785C70C9

Key	Value
MD5	5031DF7A77C85AB2B9503ABD3E1C62EA
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc22
PackageVersion	20080303
SHA-1	3D4B8CB5C94B9B513CBB20F6945CCE8EC7DB9839
SHA-256	D0397E0E1337A8BEA0B3E91914488CBA459C5805652CD5906FAF9B1B546759D7

Key	Value
MD5	1E30565F60D9E7E936CB032940A61A5B
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc22
PackageVersion	20080303
SHA-1	D4F8F223362175E87F1AA4E1B63BB8A517EC877C
SHA-256	6CA03D08D13CF87942E39B6F34BB5C14967874E9CCA5B0EE5257CB78A403E69E

Key	Value
MD5	3F221D0DBC2E236DD27C6FF1B6C3157A
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	14.fc23
PackageVersion	20080303
SHA-1	BF21CE8022BC6A0E3F66E1EF5AB236B369CE3CC2
SHA-256	A22AF23DF466859A0997319297603212045C781AFC6C22D65AB09DE406670B93

Key	Value
MD5	D54837CE3C36387C705D869AA4613BD4
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc22
PackageVersion	20080303
SHA-1	78AD4528B0333262AD2DCB8358E488EFA0608F31
SHA-256	E09F09A17EBB5A5AB15D9B5C275BC5E519FA0FF13DCEC2469B1C64D335A4BF19

Key	Value
MD5	62C1C50AFA5F3E70C08D71713CA7C3C6
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	14.fc23
PackageVersion	20080303
SHA-1	022AD7387BBFD69DF992639086342B980AC1F200
SHA-256	B782ED4814CB42FB9ED85A538C474F977AA2E6FA7052D999307CC572C133906B

Key	Value
MD5	E011D4401ACE046F41B0CB9FAAF3E047
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	15.fc24
PackageVersion	20080303
SHA-1	7F95258F675E7543B021FC3C820CE66EC573F6A3
SHA-256	F61876DC4D6DEB92A2E786E8B723230ABC6AA0F327E8D871E8D3E0F6553F20D1

Key	Value
MD5	A4503522F2A44661749A8EC4DD26DC57
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc21
PackageVersion	20080303
SHA-1	8FD99D32F206AD3445F48F920053CDE442254243
SHA-256	0F6B7B6124CE0D217A1AF879C900A12F0A3014E3BA608573D40AB4774CBDE70F

Key	Value
MD5	0EA9E122F6EC93FA4075BDDD1CC2754F
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc21
PackageVersion	20080303
SHA-1	0D0ACEC207A5F466764A4BA5F33CD70A62D1AC1C
SHA-256	777A949A534AB6E9938CF2BCF6E4648EC8E1132FD3843861C417BF7E19FA95A2

Key	Value
MD5	4899D2BD2028EEA55DB056BC600429F5
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	15.fc24
PackageVersion	20080303
SHA-1	A7196F7CF6B4A037C53A686AFAB3F5E6EF1D0F97
SHA-256	E991D7673EC375526445EAF1AD592B7C3704C8D7DF54576C39547670A66059D3