Parents (Total: 7)

The searched file hash is included in 7 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	50E7A2425C867CACF3AED6E6D1AF8804
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	4.fc9
PackageVersion	20060908
SHA-1	627325C9F3F0AD62D4310FBF819E429BFDF53FDB
SHA-256	924DDDFEBA953B9849F840A7155C5D9304D30263A9C8A47DD1B5E02A05483192

Key	Value
MD5	7FE608A2E9AB00A1399B55A513D34DB1
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	11.fc12
PackageVersion	20060908
SHA-1	FDFD8D5CD61B97DAFC3A13594D45A725124AA6A5
SHA-256	9FAD2157864408E27649A804AEB6F1B879701B1858BC44D0D4AE0FA1F9BF3C70

Key	Value
MD5	9BC40ABF37C1676A3E6F05CD64D729AA
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	11.fc12
PackageVersion	20060908
SHA-1	9C5969389B10840E60F7AA959BE0F1C793BE63BE
SHA-256	6ED1F45A0D107C18F385CE6F953724E8572C70FAA5B850EE5AE121038B600AAA

Key	Value
MD5	54252D0080F36362CABF0EAE46B19933
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	19.fc23
PackageVersion	20060908
SHA-1	396298E5A3014F7239E58DC5407A7E30AA42A7AE
SHA-256	421113E29E188FDAE5D30CC271048AF7F630B47BCC0C53593D15E2B82706C538

Key	Value
MD5	765506D512921F96151D1B3D34FE94BA
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	18.fc22
PackageVersion	20060908
SHA-1	4E98D368F758FBB7F0F20152BC9FA2CA279A59E5
SHA-256	F117D47417E95FD3682455DFB371908157F964A2C9ADF243A51499F7C67C5137

Key	Value
MD5	D2304D86D7080472B508F5294A633C3C
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	12.fc15
PackageVersion	20060908
SHA-1	18AF0A8090DD80EEDE56EF9D026D8C2F44975AA1
SHA-256	53222DF91828091B6EE1E88B46C4FA6C3487DC92D0EA2D8D5E734712EE6CA51C

Key	Value
MD5	EF46AF4937C4F4804BC949C7967ED18F
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	10.fc11
PackageVersion	20060908
SHA-1	7D0F1779F47ED7697D82F352FDD5F62894146122
SHA-256	6D86053199E70DA85D2F84FD4507F46531762C26259D41DC507FE87258FA0246