Result for AF47BDA4E4317523D69545E2938C7EDD3F47E817

Query result

Key Value
FileNamegfs-philostratos-fonts-fontconfig.conf
FileSize342
MD53B81021DF181EB88067911ECBA7B82C8
SHA-1AF47BDA4E4317523D69545E2938C7EDD3F47E817
SHA-25656A30C5CFEE3D1B78BD277043F403795297B91796BC110F9168275D1A59B76C5
SSDEEP6:TMVBd/4qb8Y/yL3VaYh9NecivDfNyyPSvDfNi9D5aYh9NmA5sJxLn:TMHdghY/S3Vam9sc2ffPmfs5am9d5+tn
TLSHT156E04F5D71F4415171A02A0B732664870F809EBBA1E3709334E83A409F8D1C29167391
hashlookup:parent-total5
hashlookup:trust75

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Parents (Total: 5)

The searched file hash is included in 5 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD57BFE0BBE46499710BC28CD19C41B9D8C
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease1.fc12
PackageVersion20090902
SHA-19935D6DA943FA7209FC4B39DE6F0D0792DE6B15F
SHA-256EACBBC032E190DE683FAF75E33FEF780C910BC1B7B9067604DDD4C27AE8B02E5
Key Value
MD5AB5E66A693DC48643CC8FCA6226B895F
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease1.fc12
PackageVersion20090902
SHA-1D52F6853BC3F9748C45749BB56EB1A040FA3E869
SHA-256C1D48811F4D71FB79783A88FCC89573D63181D627381E32F13774CC4E9E5A0B6
Key Value
MD5FBD66113B0B500BB35AB82BB656964BC
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease1.fc12
PackageVersion20090902
SHA-1142EB5FB290B209321C92B62C111794A0BB3548C
SHA-2568070E751BA4233DB5171F4FB4C694FB666482123412B4D9A047E7DACEA4E8D48
Key Value
MD507FF20F3BCBAB2652D3E60536748A270
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease1.fc12
PackageVersion20090902
SHA-1E9EAEFD72DCA2F7D30BCE9578FC41ECEA5D77E12
SHA-256BE44DB3C51A471E5E5C349CFD7F1F0973AFE68F030A4D6FC4BBE396242AC7FAE
Key Value
MD5BAEDEB10814AED26D38B1941377773A1
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease1.fc12
PackageVersion20090902
SHA-1407F2F907716E1DC86D443214206F1F4ECDA4801
SHA-2564C416401C3E18B0417CF3D4011647C4EB5D8A7E97B8FB5A7AA2F160A416D1A47