Result for A2C4A9FB9A4A66F842B76299E48F3BD4C43969D9

Query result

Key Value
FileName./usr/share/fontconfig/conf.avail/61-gfs-philostratos.conf
FileSize322
MD5B3870A1809514DBE6D01B5B5329F7002
SHA-1A2C4A9FB9A4A66F842B76299E48F3BD4C43969D9
SHA-2562C7F346D99234BCC9215C04E27F79755A89C90FD767E87CA83A4283AB0736339
SSDEEP6:TMVcqbcuL3VaYh9NecivDfNyyPSvDfNi9D5aYh9NmA5sJxLn:TMuN23Vam9sc2ffPmfs5am9d5+tn
TLSHT11AE0EC5E75F84161B1A02A0BB32635970F809FBBE1E3706734D87A409F8D5C692673D6
hashlookup:parent-total30
hashlookup:trust100

Network graph view

Parents (Total: 30)

The searched file hash is included in 30 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD52034E3B25214B6DF6ADB020F27BC9BBA
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease3.fc17
PackageVersion20090902
SHA-10047419156A43FF1A5AF243E261D89AF7843D5BC
SHA-256F51BE1EBEA65DAEEBE05CDEE5AE4F97E790B614BE3F4D88DEE411737C88E847F
Key Value
MD50E3F7922F81F41C912F3BD1AB3001001
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease8.fc22
PackageVersion20090902
SHA-1076C43115EAE8E34CAFE05B2F90B5028ECE33D56
SHA-25671AB2617C779530E01C0B7805DAA25398F5340235A99836E2F906EB493DA749B
Key Value
MD5D65C0784072A7019DC7BAFF5042079AB
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease5.fc19
PackageVersion20090902
SHA-10D444C0A654D8051C394C852E2854436698E07C5
SHA-256703DC1E60C9DADD4DBC79377C2295D1B460D0A42FFFB4ABCB7CA6ECF53AAB6CE
Key Value
MD5829553CAE3E84EEE67872C4F6B1491BD
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease4.fc18
PackageVersion20090902
SHA-10EA29F14F8FA5BFCEDBFD684C3E59330B887E2D6
SHA-256143050C87D5EEADEBA6C1956FB304061F5418334CE46739F274F5AD4CA8B120E
Key Value
MD53B5AB949268D6F8DA673635DB875D3DD
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease9.fc23
PackageVersion20090902
SHA-11DFE27396BF5C1628DBA8BF3655C7178E292EC61
SHA-256BEC331DD736D63B65A68B66C144C019235F3E32A4BF9C1302DE7CA429D36D94C
Key Value
MD58D2D124E0C337D0977024A73CE974AFE
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease6.fc20
PackageVersion20090902
SHA-122253BD2EF1A8BD3CB433E24C6F807F1FDB5D737
SHA-256C548E0FBAD307AFBA54CD8DA1156ED4C0F8D046DB44AF5B0F0FD7F6DE7B979A6
Key Value
MD5C823F84356869A3CA71F4743314268BA
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease2.fc15
PackageVersion20090902
SHA-14851119C355E266BAC14DCAF70E0FB180A6CE13E
SHA-25626AA4911C821F76ABE66F2D4BE3A13365D46E2C84CCDC42A9F68D218004BD74B
Key Value
MD56CC4F4512E63857E1CACDDA09FDB2EE8
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease3.fc17
PackageVersion20090902
SHA-155438F6B130E740467B3946CB1280521272131FF
SHA-256003830AF6000824C20181E52B522658BDD8B76A9853C5626944B74E7E9FE9EDB
Key Value
MD53E0F2F77FA69F597901B90DF0BE92C03
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease4.fc18
PackageVersion20090902
SHA-161ACF0FA0DEE029B5C4A1F2268A3D8B758111FFD
SHA-256DB922ED32C3340F18E870CA1F532BF482D98A36D61B372F30E5AEDA5F72E65D1
Key Value
MD56B8F667D91BEB5D32D6B06E64C110FFE
PackageArchnoarch
PackageDescriptionGriechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-philostratos-fonts
PackageRelease8.fc22
PackageVersion20090902
SHA-16444C0F1F09EF843D071386AC38908C586474327
SHA-25664ADE0AF5D7F2268CA38FD803654A00ADAAAAEAD2D2F0CA8100C46A7E9B47935