Parents (Total: 3)

The searched file hash is included in 3 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	6C996145F1E98E45F2B7D51A1DF45EF6
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the Latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast independently, not as members of a font family. The mechanization of type cutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitized by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	5.fc33
PackageVersion	20160509
SHA-1	6CAB47AB27C4F3F34DCCED46BD33ED62CE75C4BA
SHA-256	AC999D804976EE8D5337945B692F8255689AC14A5818164B412EA921039B0A01

Key	Value
MD5	1A1A641BE1F444FD271E604A59F0F7F0
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the Latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast independently, not as members of a font family. The mechanization of type cutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitized by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	5.fc33
PackageVersion	20160509
SHA-1	343C767116934CB2E2CE1301C3433D3EF7915569
SHA-256	C043E9794FB4DA37BF79E0FF469A9179714C15E89E6687E18C7AE40884BF30A1

Key	Value
MD5	8ADCFBB4514E15A3327A874F21B1F306
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the Latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast independently, not as members of a font family. The mechanization of type cutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitized by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	3.fc32
PackageVersion	20160509
SHA-1	ED9848C09C86E49BEDB3C118D201C5D84B8BBB1F
SHA-256	8B395BA54FA722589710D59033323451E1A747CD41BD2BD8AFB93D09C0CD41FF