Parents (Total: 898)

The searched file hash is included in 898 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	2034E3B25214B6DF6ADB020F27BC9BBA
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	3.fc17
PackageVersion	20090902
SHA-1	0047419156A43FF1A5AF243E261D89AF7843D5BC
SHA-256	F51BE1EBEA65DAEEBE05CDEE5AE4F97E790B614BE3F4D88DEE411737C88E847F

Key	Value
MD5	161D8E5936CB1F87A5A06C4CF50D08DD
PackageArch	noarch
PackageDescription	Georg Joachim Göschen founded in 1782 the publishing house of G.J. Göschensche Verlagsbuchhandlung in Leipzig and was one of the most active publishers of the period in Germany. Göschen was very interested in typography, influenced by the fame and quality of the editions of G. Bodoni and F. Didot. In 1797, he collaborated with the leading scholar of the period, Johann Jakob Griesbach, to edit and publish the New Testament in Greek for which he formed a committee of scholars to decide the new Greek type which were eventually cut by Johann Prillwitz. The book appeared in 1803 and the types show many influences from the Greek types of Bodoni. Their characteristic was the neoclassical form of marked contrast between thick and thin strokes, the cursive style and the large size of the font. The design was too cumbersome to allow general use and can be considered successful only for its indirect influence on the later cut Greek Leipzig type. It is, however, part of the greater heritage of Greek type design and therefore the type has been digitized by George D. Matthiopoulos in 2009 and is part of GFS' type library under the name GFS Göschen cursive, in commemoration of the great German publisher.
PackageMaintainer	Fedora Project
PackageName	gfs-goschen-fonts
PackageRelease	4.fc18
PackageVersion	20100203
SHA-1	00B94CAB7F45DA9BED9CDA6C9F224CF8F6780857
SHA-256	E5419B382A7D47B02156E441AEA7402AAA37D5E2F3515FD8466A2E9F16DB2F93

Key	Value
MD5	506DA0ECBEDA204D04518A45CC7712E5
PackageArch	noarch
PackageDescription	Giambattista Bodoni was the most prolific Italian typecutter of the 18th century. While he worked in the Vatican Press he was involved in the typecutting of “exotic” languages for which catholic literature was printed. When he established his own press in Parma he did publish many books of the classics with his own Greek typefaces in the last quarter of the 18th century. He was among the first European typecutters to move away from the byzantine cursive tradition with the numerous ligatures which was the norm until then. His Greek types influenced many subsequent designers, yet they fell in disuse by the middle of the 19th century. GFS presented Bodoni's original Greek typeface in the commemorative edition of Pindar's Olympian Odes (2004), in digital version by George D. Matthiopoulos, and is now available as free ware for the general public. In the OpenType features, under ligatures, one may alternately use diphthongs with the accents placed in between the characters, as Giambattista Bodoni did when setting greek texts.
PackageMaintainer	Fedora Project
PackageName	gfs-bodoni-classic-fonts
PackageRelease	15.fc18
PackageVersion	20070415
SHA-1	013DC3EDE02AFA4E636241BC6100C8FB2FCEC071
SHA-256	E674EE3AEBD1FE17B23F5EC3EA8E1DA7A560B0EB7769CC67CE40EE4030364BB0

Key	Value
MD5	F847933EA38B38E3AD9AB68DFFED8529
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	7.fc15
PackageVersion	20080303
SHA-1	01CF57690C3C3560281129350601B010219F44C9
SHA-256	75C8C860DAB35A1D55286CC0A800F0C8239C974BA432209FD76D81F37541F691

Key	Value
MD5	EF8F0961FE2EC7F61EB0BDEC36EC3964
PackageArch	noarch
PackageDescription	During the whole of the 18th century the old tradition of using Greek types designed to conform to the Byzantine cursive hand with many ligatures and abbreviations - as it was originated by Aldus Manutius in Venice and consolidated by Claude Garamont (Grecs du Roy) - was still much in practice, although clearly on the wane. GFS Gazis is a typical German example of this practice as it appeared at the end of that era in the 1790's. Its name pays tribute to Anthimos Gazis (1758-1828), one of the most prolific Greek thinkers of the period, who was responsible for writing, translating and editing numerous books, including the editorship of the important Greek periodical Ερμής ο Λόγιος (Litterary Hermes) in Wien. GFS Gazis has been digitally designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-gazis-fonts
PackageRelease	4.fc18
PackageVersion	20091008
SHA-1	01D24CCDBC5F1A1FAA6825491702C43E532CA45D
SHA-256	F052923A618E7A835FE59C32EFD7D1D1AB1D4C424DE475E0CAA72CA920760BE5

Key	Value
MD5	03C5E2704B787DE3F9991C1422D5876F
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-garaldus-fonts
PackageRelease	8.fc17
PackageVersion	20080707
SHA-1	01DC6579975A213B17C66385F996507E117E8A66
SHA-256	E3D1F8F922025A82627E87DE868B59280078777857E097AD6CD01CA3DDE7BC2C

Key	Value
MD5	588A87C85C3CCD2E2953AFAF4A95F896
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Jackson is an edition of the font cut, in 1788, by Joseph Jackson on commission by the Cambridge University in preparation of the edition of the Beza codex containning the New Testament from the 5th-6th century. Theodore Beza was the erudite scholar from Geneva who had given the codex as a gift to the University in 1581. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-jackson-fonts
PackageRelease	5.fc11
PackageVersion	20080303
SHA-1	01FAD5E07E5B81E62E8A6A284593A1AF065A19C3
SHA-256	8986CD9D4DE2E2F18E721FFCFBC00795A3BAD9E91F3E732A5D482CC6659FBD89

Key	Value
MD5	41B94103FCE28FE6DEACE4743A778459
PackageArch	noarch
PackageDescription	A set of high quality unicode fonts for the Geʼez (Ethiopic) script published by the Senamirmir project. They can be used to write Ethiopic and Eritrean languages (Amharic, Blin, Geʼez, Harari, Meʼen, Tigre, Tigrinya…). This package consists of files used by other senamirmir-washra-fonts packages.
PackageMaintainer	Fedora Project
PackageName	senamirmir-washra-fonts-common
PackageRelease	6.fc15
PackageVersion	4.1
SHA-1	0205346161F35D1344863E08C79C69F6C46BDED9
SHA-256	7D147563A6803B1D1B1CDA338366CB35559BBF20698C577BF2F477E8A8433A88

Key	Value
MD5	BEDF347D63FAEE4269FBD1F73D664770
PackageArch	noarch
PackageDescription	This typeface first appeared in the late 20s and was used as an alternative italic type to the most commonly used Greek italics at the time, coming from Germany (Leipsig). The name commemorates the edition of the Greek encyclopædia Pyrsos (1927-1933) from which the types were taken. The font was digitally designed by George D. Matthiopoulos and is freely available by GFS.
PackageMaintainer	Fedora Project
PackageName	gfs-pyrsos-fonts
PackageRelease	9.fc21
PackageVersion	20090618
SHA-1	0223E190AED0F0EE86AA609A6ABC087AA0A0E0AC
SHA-256	E39C77E602409A1F37AA7EE05F4991EA2BEBA07506C01874F01A5CD6B53AC3D3

Key	Value
MD5	62C1C50AFA5F3E70C08D71713CA7C3C6
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	14.fc23
PackageVersion	20080303
SHA-1	022AD7387BBFD69DF992639086342B980AC1F200
SHA-256	B782ED4814CB42FB9ED85A538C474F977AA2E6FA7052D999307CC572C133906B