Result for 6DF7D85DC6FCDC5110311940E9288D60E3EDF9AF

Query result

Key Value
FileNamegfs-fleischman-fonts.spec
FileSize4535
MD5B9FBC8711BF889AA99F5172CD0022BFE
SHA-16DF7D85DC6FCDC5110311940E9288D60E3EDF9AF
SHA-2565B55411AB3444C706AEFB3573F57CD0A23986AC641F4376F1D2410868246A9AE
SSDEEP96:YUxKYszci0RdflIzEgytwE4VLsFXcZNM5p5GqF0pm:YcKY1ddIzE9tt4VLsFXcZNM5p5LL
TLSHT1A8919677620C067773E03F87F2066604F5AAC6BBA6FA705C30AD03982786576B23614F
hashlookup:parent-total1
hashlookup:trust55

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Parents (Total: 1)

The searched file hash is included in 1 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD59AFCEB9764B918B4706F239640BF0737
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease14.fc23
PackageVersion20080303
SHA-17CCA6DC531F7C5678261C3998A654384D6A5C858
SHA-256C91E2C98A8742E8BB59B4391A19D1CCC00A562D52BBFD1BD531E090D785C70C9