Result for 6DB9729342FE4B4BDC5606128B7F728900B772E4

Query result

Key Value
FileNamegfs-fleischman-fonts.spec
FileSize3311
MD5D61A9E1FD96532CB56B979DE94FF81B4
SHA-16DB9729342FE4B4BDC5606128B7F728900B772E4
SHA-25689EF862B8BFC54AF6586BF96910238FB770D21C99E2609D5D57482EF7D9605F1
SSDEEP96:YU5ev0szci0RdflIzEDM+y6OT7M5p5GqF0pm:Yyev01ddIzEDA/XM5p5LL
TLSHT19361DA37A3080F7763E25E42F31A5290D575C2BBAAAB505931DD036903C65B6F33729B
hashlookup:parent-total1
hashlookup:trust55

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Parents (Total: 1)

The searched file hash is included in 1 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD54946BE96F5C3D0F8C486D456ADE3FFBF
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease7.fc15
PackageVersion20080303
SHA-1A9C39A84448961EB6788416A8052A8D2829B7737
SHA-2569F253D70C0E6755AD7115F0A1E79128A5C1DE4C07327436987E20C8D4306FCA7