Parents (Total: 34)

The searched file hash is included in 34 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	F847933EA38B38E3AD9AB68DFFED8529
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	7.fc15
PackageVersion	20080303
SHA-1	01CF57690C3C3560281129350601B010219F44C9
SHA-256	75C8C860DAB35A1D55286CC0A800F0C8239C974BA432209FD76D81F37541F691

Key	Value
MD5	62C1C50AFA5F3E70C08D71713CA7C3C6
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	14.fc23
PackageVersion	20080303
SHA-1	022AD7387BBFD69DF992639086342B980AC1F200
SHA-256	B782ED4814CB42FB9ED85A538C474F977AA2E6FA7052D999307CC572C133906B

Key	Value
MD5	E81025534E1852F00BE150A6AA6EA9AD
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	6.fc12
PackageVersion	20080303
SHA-1	05C40D456B08B85F6E2CB3354DCA5E0F14FCF0ED
SHA-256	8D307D4A9CEB67024DE0E1DE6F2CFDFEB34B09D95213A32C7F83AD81FE972E70

Key	Value
MD5	AF89DFFED7502C9B0FB5E36A8C7925B1
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	11.fc20
PackageVersion	20080303
SHA-1	0C459BB2417CBDC09505D8597A02FE0BC6E72033
SHA-256	359A5B6D4FC9018A4FA91C11E237529473FBF67E99A456AB5ADBD5080691C1A8

Key	Value
MD5	0EA9E122F6EC93FA4075BDDD1CC2754F
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc21
PackageVersion	20080303
SHA-1	0D0ACEC207A5F466764A4BA5F33CD70A62D1AC1C
SHA-256	777A949A534AB6E9938CF2BCF6E4648EC8E1132FD3843861C417BF7E19FA95A2

Key	Value
MD5	12DC3B2D8C0CCFB0059C9DC71F1971F5
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	9.fc18
PackageVersion	20080303
SHA-1	0EB60F1F4285B5F668BC6016AE75ADE78C111C29
SHA-256	229D0E7974F47C232BBE58ACA4E1C0E852E6E0222C6D9A6A9276C13B07645CE8

Key	Value
MD5	DA213EB4D1D87FAE5C12002D4A50D871
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc22
PackageVersion	20080303
SHA-1	250466E42F4EF11236C83E43105C2C8A85014536
SHA-256	31C0D201EDC65F41684EC45821BD8BD0B4ECAD3A8532B67AD1091A8BC4418389

Key	Value
MD5	E1134EF0D4CC7578D40012383849AEAF
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	13.fc21
PackageVersion	20080303
SHA-1	2AB12FDAB86B24974CC53F97E392911660B1F594
SHA-256	B77305B5B63BE10519409A7CED3C5C76A4AA8DA0E6A85FB4ACB4C51161761EFE

Key	Value
MD5	595D43308734C8256FCFCEE7B4F9DE70
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	7.fc15
PackageVersion	20080303
SHA-1	3268843AA16D60C9BA2D544F755C166C04AC0B75
SHA-256	DAA430D34073479B1A0D27048853CC64E1BF917624284E079E4F895A1162BBD7

Key	Value
MD5	19A48B41E61BD4548CDCF0E212D065D4
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	11.fc20
PackageVersion	20080303
SHA-1	35EEEAC666D3E3ED2F2C80CEA6BD8C42078902EF
SHA-256	AAA886D6572EECF534FAB4106C3969308C5879D5F38B34A2CE08535BCEBEDF2D