Parents (Total: 7)

The searched file hash is included in 7 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	11F3F594A8645EF466BEC48C5D983A2B
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	6.fc12
PackageVersion	20080303
SHA-1	6B0E862B29CEC0F8CBB1E9F4C0A06CDDBA19DCEC
SHA-256	B6B8952F4A49101F866CBC56762D781F7F69675F8974DA33E2B465004C2F2438

Key	Value
MD5	E81025534E1852F00BE150A6AA6EA9AD
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	6.fc12
PackageVersion	20080303
SHA-1	05C40D456B08B85F6E2CB3354DCA5E0F14FCF0ED
SHA-256	8D307D4A9CEB67024DE0E1DE6F2CFDFEB34B09D95213A32C7F83AD81FE972E70

Key	Value
MD5	276FA751961A1291C1A323D42D9CF9AB
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	6.fc12
PackageVersion	20080303
SHA-1	2EA9B0AC0A32F0F045AD6824B54D87B115C6126D
SHA-256	7909048658B0F43F2C4630EC2569DF8C9BBF1819491742972223FBFB1CB6BB1F

Key	Value
MD5	0FB88ADE7803F0EAED744C78785B6EA9
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	5.fc11
PackageVersion	20080303
SHA-1	8204A7A7235DBBA101E51231A1EBFC6C1CD7BA65
SHA-256	452CB564C06002DEB946D8556821B96395B226B3109BA9A0B0FA2CCB4C41A603

Key	Value
MD5	A73A05F499862A7969F0C34EB1E07E1D
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	6.fc12
PackageVersion	20080303
SHA-1	945E3B736BF9DC8744DA8C028F1B324EC77BB4C1
SHA-256	A76C6A52FF01D908098BCEB17A7DB7BD0621DA3A0060AF9E2753BDAC1FA0F9C5

Key	Value
MD5	3CFA8C56373930A71CA7E92C1B4A3CB7
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	5.fc11
PackageVersion	20080303
SHA-1	B87FB65B691DF4998E40C72E83BFC4A24B6F6FF0
SHA-256	EFF50C81BD660AF4AB748E07DBC87A46EF19A8934CC0DDD2A19C4839EC6D4623

Key	Value
MD5	CFCF17B56EE70283CD446ABCB6BFCAB2
PackageArch	noarch
PackageDescription	As it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-fleischman-fonts
PackageRelease	6.fc12
PackageVersion	20080303
SHA-1	64837F55B9F6DDADEEB7A7E801DF6AB24BAE3A3C
SHA-256	8237638226FC94799DD697738C47C64DA7AC03899415FA7E3EB11DA96F0A41EA