Result for 594AB45EA881963BA1B22FBA35966EBD44775C4E

Query result

Key Value
FileName./usr/share/doc/gfs-theokritos-fonts/TheokritosSpecimen.pdf
FileSize347675
MD5CFF55E352A5FE4F51CD649CB93D6A2D7
SHA-1594AB45EA881963BA1B22FBA35966EBD44775C4E
SHA-2566E8F8CA4F8C3D244057155AB510C8566B03D91039E453DE026191C66C2DF12B5
SSDEEP6144:jIvtmfe3QB+fmTt/GcZKpGEywwy11mwyakopmXWIxjDvyfjLwSPBzwQ3juvKHQvI:0vmeg0f0tOcZCGEyc1rVpGxjD4j/P6QL
TLSHT19F745814998E3CDFD2124BD0632F7C5D364E72B2F6C84A966B74EB521020A7F5463A8F
hashlookup:parent-total37
hashlookup:trust100

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Parents (Total: 37)

The searched file hash is included in 37 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD5E7BDD4A96DD649FB4D55FD7B6F319D22
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease14.fc12
PackageVersion20070415
SHA-103E8178215BD1937E23B241538A0F93CF3BA5E4F
SHA-2561F6B73FE776AD20E112E76C119153732A87F44B1EAFAB9C6B1ED240664A5A044
Key Value
MD5DEAD987B29B436487BE4E7A1CE8F13A9
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease5.fc9
PackageVersion20070415
SHA-106D3BC59BBB2C94420DF56C8D72A1739BAF2D13D
SHA-256B0B11FA6301F09BBA7C8F999C1902993119856AF3122704D6A5D3A616380984A
Key Value
MD5B2E95BC0B412230996609A66BDECC8AD
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease14.fc12
PackageVersion20070415
SHA-1080CD333576F6C5719EB895F9F22D70145DB8D5A
SHA-2562C6A6475B913A5D04A11D87164DFE2AC17C37BEA6E38567641158C9ACE24BBA3
Key Value
MD5ED4A3CA1CF5A5CE410F2FDD7564F5B4A
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease24.fc24
PackageVersion20070415
SHA-10C30C87A0753E1D4141E2417DC8B625ED31A4CDD
SHA-256A558BD7C937A29616308F09004457D7D7E71E086E063A166775F729B33B3EE68
Key Value
MD5C24A1115C5E5022EF602019AE7F63755
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease18.fc19
PackageVersion20070415
SHA-1114FC2DCE594CCAB83EDD6537BB0BD59435FBF83
SHA-256C722F7FD1411A0735DB14ECE71275D5B5FB82710E052F4A8A23BADCE8A41B282
Key Value
MD5C00A417D97126DE7706DBEBCB60983AF
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease22.fc22
PackageVersion20070415
SHA-11E8294B4AF97571E56C6D14F470B35ADA5A3B8F8
SHA-256A61AFE2290D3406DD2A28FDD7ABC0D55DA203D289C6EF752588B02B2F7BC529A
Key Value
MD5E5D1A5D222283DD416A60855F09DDC84
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease16.fc17
PackageVersion20070415
SHA-12224EE71B393E885BBABEA3704CECF28EAB151DF
SHA-2565836D0E833416B9BE6821515263144E280A534D1FEE850B9BF191E771F16D99B
Key Value
MD57A9445AEFF9BBCDC113C1AFBE28BADEB
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease14.fc12
PackageVersion20070415
SHA-12D69FC36BB876236FBCF8C75902D9BB32B938B1A
SHA-256B63E52FAD803A6EEE131E38B48ED5EB2261AA2CC67DF69F12B60989837E94980
Key Value
MD587132456872153EE1696FE484E33DAF3
PackageArchnoarch
PackageDescriptionThis package provides optional documentation files shipped with gfs-theokritos-fonts.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts-doc
PackageRelease36.fc33
PackageVersion20070415
SHA-1302ED08A877672C45BAB0818925E57D9B4649B00
SHA-25606689FEF324614649174C0DE5B20190F2802E02822C7EB6C477B536C477CD6D7
Key Value
MD5335063BD2C8B2EF3E4FEEE0E7C0624D1
PackageArchnoarch
PackageDescriptionYannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainerFedora Project
PackageNamegfs-theokritos-fonts
PackageRelease21.fc21
PackageVersion20070415
SHA-13701FA4E2F4C066B8D4DD0C9B7149A1B5B8FA6FF
SHA-256BB26C36E183526519FCE7E6B614B1044F49BD883BC4FA60252B40C969846DA46