Parents (Total: 42)

The searched file hash is included in 42 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	E7BDD4A96DD649FB4D55FD7B6F319D22
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	14.fc12
PackageVersion	20070415
SHA-1	03E8178215BD1937E23B241538A0F93CF3BA5E4F
SHA-256	1F6B73FE776AD20E112E76C119153732A87F44B1EAFAB9C6B1ED240664A5A044

Key	Value
MD5	DEAD987B29B436487BE4E7A1CE8F13A9
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	5.fc9
PackageVersion	20070415
SHA-1	06D3BC59BBB2C94420DF56C8D72A1739BAF2D13D
SHA-256	B0B11FA6301F09BBA7C8F999C1902993119856AF3122704D6A5D3A616380984A

Key	Value
MD5	B2E95BC0B412230996609A66BDECC8AD
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	14.fc12
PackageVersion	20070415
SHA-1	080CD333576F6C5719EB895F9F22D70145DB8D5A
SHA-256	2C6A6475B913A5D04A11D87164DFE2AC17C37BEA6E38567641158C9ACE24BBA3

Key	Value
MD5	951CC40E34B965873ABE3AA139D0D215
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodically the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practicing artists of the 60’s and 70’s had graduated. In the late 50’s Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos’ Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealized edition of Theocritos’ Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganized, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitally this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	34.fc32
PackageVersion	20070415
SHA-1	0885D35BEA2303DF46166B5FCEB0711D05F53C78
SHA-256	ABB82D95505F8EC1E763C65573275C5C38663D7D1F24E58908E6847964EB110E

Key	Value
MD5	ED4A3CA1CF5A5CE410F2FDD7564F5B4A
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	24.fc24
PackageVersion	20070415
SHA-1	0C30C87A0753E1D4141E2417DC8B625ED31A4CDD
SHA-256	A558BD7C937A29616308F09004457D7D7E71E086E063A166775F729B33B3EE68

Key	Value
MD5	C24A1115C5E5022EF602019AE7F63755
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	18.fc19
PackageVersion	20070415
SHA-1	114FC2DCE594CCAB83EDD6537BB0BD59435FBF83
SHA-256	C722F7FD1411A0735DB14ECE71275D5B5FB82710E052F4A8A23BADCE8A41B282

Key	Value
FileSize	61368
MD5	CFF0382774E9DE8DDC177AF7044ADBA4
PackageDescription	decorative Greek font In the late 50's Yannis Kefallinos (1894-1958) designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. . Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Ubuntu Developers <ubuntu-devel-discuss@lists.ubuntu.com>
PackageName	fonts-gfs-theokritos
PackageSection	fonts
PackageVersion	1.1-6
SHA-1	1B90DC11D8D7EB437E3B06E6319FD525018ABE78
SHA-256	2CE41D7D2944E75557FCF28EF1361CC4C64C7AD8E30BF8EC4554F050D5893EFC

Key	Value
MD5	C00A417D97126DE7706DBEBCB60983AF
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	1E8294B4AF97571E56C6D14F470B35ADA5A3B8F8
SHA-256	A61AFE2290D3406DD2A28FDD7ABC0D55DA203D289C6EF752588B02B2F7BC529A

Key	Value
MD5	E5D1A5D222283DD416A60855F09DDC84
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	16.fc17
PackageVersion	20070415
SHA-1	2224EE71B393E885BBABEA3704CECF28EAB151DF
SHA-256	5836D0E833416B9BE6821515263144E280A534D1FEE850B9BF191E771F16D99B

Key	Value
MD5	7A9445AEFF9BBCDC113C1AFBE28BADEB
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	14.fc12
PackageVersion	20070415
SHA-1	2D69FC36BB876236FBCF8C75902D9BB32B938B1A
SHA-256	B63E52FAD803A6EEE131E38B48ED5EB2261AA2CC67DF69F12B60989837E94980