Parents (Total: 13)

The searched file hash is included in 13 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	0E3F7922F81F41C912F3BD1AB3001001
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc22
PackageVersion	20090902
SHA-1	076C43115EAE8E34CAFE05B2F90B5028ECE33D56
SHA-256	71AB2617C779530E01C0B7805DAA25398F5340235A99836E2F906EB493DA749B

Key	Value
MD5	6B8F667D91BEB5D32D6B06E64C110FFE
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc22
PackageVersion	20090902
SHA-1	6444C0F1F09EF843D071386AC38908C586474327
SHA-256	64ADE0AF5D7F2268CA38FD803654A00ADAAAAEAD2D2F0CA8100C46A7E9B47935

Key	Value
MD5	031D468AF39B32C2734A10CA1913C388
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	9.fc23
PackageVersion	20090902
SHA-1	B4DC61E5BDB7DDAA79ABD38C8B3651C681079932
SHA-256	4FCEE6A09C2C2F953ABBDFE23FDC6879E21378CBCDE3D7F2155DAD3381DCF321

Key	Value
MD5	F5311E68D4BAF57C3F50FD515E0097AE
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc22
PackageVersion	20090902
SHA-1	CAE51541A37A06144A65711CA97B38975E865E21
SHA-256	4CBB3A887329FBDDDD1114DD2067F2E557049B32E05781E9C64D59FE489C0098

Key	Value
MD5	986615A23A242D48BDE2BB129271A559
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc21
PackageVersion	20090902
SHA-1	7192B08FA14DDA3E25EB0D05CDE56AA4DC406B57
SHA-256	0FAE89469370AA1C9A12F2C0DEB26155E72F39D1BB72C97969FD6A8E72D421C5

Key	Value
MD5	3B5AB949268D6F8DA673635DB875D3DD
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	9.fc23
PackageVersion	20090902
SHA-1	1DFE27396BF5C1628DBA8BF3655C7178E292EC61
SHA-256	BEC331DD736D63B65A68B66C144C019235F3E32A4BF9C1302DE7CA429D36D94C

Key	Value
MD5	8932849CC3E529235B7BDEA25533C608
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	9.fc23
PackageVersion	20090902
SHA-1	6BAA00FF525814496F03566914E830F04BB613D7
SHA-256	2A669AD6E1C987AB6EF30806FE973E050B3E122CF21A0F435036E33BE8F6232E

Key	Value
MD5	367E50BC1EEAFEBC438938CEEE600F18
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc22
PackageVersion	20090902
SHA-1	D2CF79FE3F57C06CE7ABA55F4BEA18A20975DC9C
SHA-256	98CD84681BAEF9C6F09CFE2B09BF0A87477E0592F7303B4C20B7EBEA126ED904

Key	Value
MD5	A99087FEA8AB1E44D4119E68057E6033
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc21
PackageVersion	20090902
SHA-1	8FA0CE69661FDBBAAC83E7A4263304D008C94C98
SHA-256	5A837B69434B3E09B1574C49F3ED5869F5277A07D77666250D2BC0241F5436A6

Key	Value
MD5	594248F6AE4EEAE73E4DCC67CF1D0086
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	10.fc24
PackageVersion	20090902
SHA-1	A7AEEB55BE21CA40287C0A070E3B9D196C7CAFDE
SHA-256	19661E6AAB603CCDE4226C5CF3CE821818A05D14CC846EF217FE7BC1BFCA725D

Key	Value
MD5	9BE4F689B618A4FFD295572A7FEC4346
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	10.fc24
PackageVersion	20090902
SHA-1	9B729B697C8B788054C14DDD99B3E048BD7469C3
SHA-256	50768B8EFE9FB65A25B65F80749B1C39B8D1162EE0661FD22AB18981512E5B14

Key	Value
MD5	5478B2D9BC147094B53B57F5748575B9
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	8.fc21
PackageVersion	20090902
SHA-1	DA802E8CC02F640C9F4A938C3F82DF33412C8F1F
SHA-256	C1FA9A8A367F59639CECF836F7E5C3AB3352D7B1042621DD2E59BB60F478269B

Key	Value
MD5	390A45F1720EE98771515D891F127899
PackageArch	noarch
PackageDescription	Griechische Antiqua was one of the historical Greek typefaces of the late 19th and early 20th century. It was designed by Μaurice Εduard Pinder, a German erudite artist and a member of the Academy of Science in Berlin. This is the most popular version which has appeared from 1870 to 1940 in the German speaking philological literature and in many classical and Byzantine editions by publishers like Teubner (in Leipzig) and Weidmann (in Berlin) such as: Anthology of Byzantine Melos by Wilhelm von Christ and Matthaios Paranikas (Leipzig 1871), Epicurea, by Heinrich Usener (Leipzig 1887), Mitrodorous by Alfred Koerte (Leipzig 1890), Pindar by Otto Schroeder (Leipzig 1908), του Aeschylus by U. von Wilamowitz-Moellendorff (Berlin 1910, 1915), Bachylides by Bruno Snell (Leipzig, 1934), The Vulgata by Alfred Rahlfs (Stuttgart 1935), Suidas Lexicon by Ada Adler (Leipzig 1928-1938) etc. E.J. Kenney lamented the abandonment of the type after the 2nd World War as a great loss for Greek typography (“From Script to Print”, Greek Scripts: An illustrated Introduction, Society for the Promotion of Hellenic Studies, 2001, p. 69). GFS Philostratos was digitized by George D. Matthiopoulos.
PackageMaintainer	Fedora Project
PackageName	gfs-philostratos-fonts
PackageRelease	9.fc23
PackageVersion	20090902
SHA-1	BCA985821820169EB3ABF21F47781CBA24F981CE
SHA-256	FFF6734D5D65B6C94BE007701F1CA297A84B7DEF48286895A451EAE224C4A5AA