Result for 45ECDBE4549575CB3D59D3B6225F95C8F1C7C62C

Query result

Key Value
FileName./usr/share/doc/gfs-baskerville-fonts/OFL.txt
FileSize4555
MD5C18EFD5EA01A63CBD96B11A0CB14B56B
SHA-145ECDBE4549575CB3D59D3B6225F95C8F1C7C62C
SHA-2563435575D6847C57E4E9F813741A4FA5FFB000F145978F43E945036BC70943090
SSDEEP96:e4EF4/PfibMxxUD0jRsXUdRuE/2P+BktjV5Jzm5R1hJqeQHDZoN:etasMPxdstE/2P+mzm5RTTQHtE
TLSHT1B391B51A3F4423B619C1D251F73BE5DEF22A516E336B69C5506BC06C23E2C2903FE690
hashlookup:parent-total40
hashlookup:trust100

Network graph view

Parents (Total: 40)

The searched file hash is included in 40 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD5DF22A9329F886F90B0BB5B0A3FAF0B21
PackageArchnoarch
PackageDescriptionThis package provides optional documentation files shipped with gfs-baskerville-fonts.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts-doc
PackageRelease32.fc32
PackageVersion20070327
SHA-10184EB92B2114C3085EDB4DA7ED62BE7C8506619
SHA-256AFFE3499B25735EA9232731813398A13158255A8A84C62C18CB27C4143AA9376
Key Value
MD5F61E05231231B84989F81CA1DA37D2FF
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease16.fc18
PackageVersion20070327
SHA-102A1D636F4F55FE4C8C5888D2234B735BEB2A780
SHA-256A42EA8001D637A57AA02106E7217304CB787C36D7FE59C775186A6D307122D93
Key Value
MD51B5A69C7C51133B41263D6B382E57707
PackageArchnoarch
PackageDescriptionThis package provides optional documentation files shipped with gfs-baskerville-fonts.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts-doc
PackageRelease34.fc33
PackageVersion20070327
SHA-1073658493A50A086B0AF4FB5AAFE22DDAAC11F92
SHA-256C5B6BE6475773A65FC13F526EA7CD5676FF7B5F4EAC5874CCAC200E07F1091F1
Key Value
MD5DED0992CF74EC3F0DCC57260BCAA0887
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease20.fc22
PackageVersion20070327
SHA-1175886F4C4AA12F185F577F8FB14A0D1ED8414C6
SHA-25639D1B314BCC79FC63ADE8C12AB809317A93EF8E63E74729A279A9DDE97C91172
Key Value
MD5C4501DB477B88EBCFB5B3C8DA8643EE0
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease20.fc22
PackageVersion20070327
SHA-11F20239CC7275664C2C4589AFF40024C290E8212
SHA-25640B90D9A27EB6C5E9CB77E9450BC557A34C2658A2BA9425F307DE8DEC6DA247E
Key Value
MD52DC2D1A9A0F6C663F4616A4D99589170
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease13.fc12
PackageVersion20070327
SHA-1329FFA32AA51458A3539F9860057EBEEA498C946
SHA-256B17C0317BABF78D7A06C9275B636B81F394C178D5566F273F4F85E972503CF53
Key Value
MD52C3B92326106EBB1A5034AF913E66AF9
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease17.fc19
PackageVersion20070327
SHA-13311F3275EAAAC2DD79ED1D28820DAA8AA4C7138
SHA-25691EBCD04DA3E1F24D9C0518AB7CD6F6403F69E916245ED032811DEC0489C9360
Key Value
MD5135D2503E7CFF2E2F11CB9F8A9141034
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease16.fc18
PackageVersion20070327
SHA-133D300252B89E5CE8A16D320638ACA9AE170AD06
SHA-256C138EA5933DB7EC19C27404F1FD513A481BECC0AB2A100D998EDE2EBF4CF7B96
Key Value
MD5222C2E61C1B587F90AA102E4F63E5646
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease20.fc21
PackageVersion20070327
SHA-13C3FB38DF73CED91DEEDD695D5A53756F28B4727
SHA-256F76D51A517388140EF2A234852E872715780B5BD7BC69B33E62C4A44112F92C4
Key Value
MD5DC619A4D9579CF0E165F0B7D5C666061
PackageArchnoarch
PackageDescriptionJohn Baskerville (1706-1775) got involed in typography late in his career but his contribution was significant. He was a successful entrepreneur and possesed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757. The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris. The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
PackageMaintainerFedora Project
PackageNamegfs-baskerville-fonts
PackageRelease14.fc15
PackageVersion20070327
SHA-141AC1B5C45FC412444DE11800F7007D7609C7896
SHA-256ED7F4DFC1C4E0A9ACE1494DC726855A75A5EDA525D5900DD38BB75B54B7F8E55