Result for 3F77ED0DD2E4524F1C46A965A0FBD55E87CC2B16

Query result

Key Value
FileNamegfs-fleischman-fonts.spec
FileSize3062
MD57D0D1628DFD89C828A58117F4C661F92
SHA-13F77ED0DD2E4524F1C46A965A0FBD55E87CC2B16
SHA-256894EC3E076DDA4C080D6CF66EC9205EEDAFFEACA8691D38CD4D3F0F1050E66F8
SSDEEP48:YLu91s2eWojlDw5dasB4tqLy7wKi05fdfyyIDs0EDM+y6OT3s52CQmDsq2Cb42Am:YUrevjl1szci0RdflIzEDM+y6OTc5Gqd
TLSHT14C51B67762080B3762E25E52F32A52D09674C2FB6A9B905531DC036A03C65B7F2772A7
hashlookup:parent-total1
hashlookup:trust55

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Parents (Total: 1)

The searched file hash is included in 1 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD53CFA8C56373930A71CA7E92C1B4A3CB7
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease5.fc11
PackageVersion20080303
SHA-1B87FB65B691DF4998E40C72E83BFC4A24B6F6FF0
SHA-256EFF50C81BD660AF4AB748E07DBC87A46EF19A8934CC0DDD2A19C4839EC6D4623