Result for 2834FF98D5B49FCA79C222CEF0DAE85A6501500F

Query result

Key Value
FileNamegfs-fleischman-fonts.spec
FileSize4373
MD5C34C16E8F7EE9F6C7624941F637F669E
SHA-12834FF98D5B49FCA79C222CEF0DAE85A6501500F
SHA-25666EAD74BE4B31776118DE21E0E75527D6139C7F33A48A7D82023570E671A27E3
SSDEEP96:YUiKYszci0RdflIzEgyEVLsFXcZNM5p5GqF0pm:YPKY1ddIzE9EVLsFXcZNM5p5LL
TLSHT18391A977620C067773E03F87F2066204E5AAC67BA6FA605D30ED03982786576B33614F
hashlookup:parent-total1
hashlookup:trust55

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Parents (Total: 1)

The searched file hash is included in 1 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD51E30565F60D9E7E936CB032940A61A5B
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modelled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remainned alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleishman, typecutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century æsthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease13.fc22
PackageVersion20080303
SHA-1D4F8F223362175E87F1AA4E1B63BB8A517EC877C
SHA-2566CA03D08D13CF87942E39B6F34BB5C14967874E9CCA5B0EE5257CB78A403E69E