Parents (Total: 37)

The searched file hash is included in 37 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	278F95CB6D450DBCDE76BC73EABBEE61
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	11.fc12
PackageVersion	20060908
SHA-1	02C182517E262E7857967BE09E9673C59D44D605
SHA-256	3CFF4B05160ACA75A41668796E77C8BB2E5EEAA5CBBADAC87553A1CB11AA1A8C

Key	Value
MD5	64FB14DAA9A27B57230887CF1ECB39CC
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	12.fc15
PackageVersion	20060908
SHA-1	04D8985412029B687C28D1D933C802EA6BB97BE0
SHA-256	3406AFB0F22258013FA7D372EF38F4ADC0B0A8F207F2A128CDDFF25987A48197

Key	Value
MD5	4A517CDEE4A818032495B71684B26CDB
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	15.fc19
PackageVersion	20060908
SHA-1	07F7F037624E13D47A4ADECE066C19211974FE32
SHA-256	EBEF2F45B525B62381657F7FFB9C99322F675CFCA06410D48EB2A97F009B6486

Key	Value
MD5	62CA5509DF55D1ADD1940DD1AF0CBD64
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	18.fc21
PackageVersion	20060908
SHA-1	11A04BDDF05D8AAB04DFF5978C769EDDE0064C90
SHA-256	A75A5A28E7C78350D7A2055C27F9FD24C573247E6E43C0EDF8434B3F87AB867D

Key	Value
MD5	243074ED4D7A5FF413FF8A079DAF9E40
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	18.fc21
PackageVersion	20060908
SHA-1	25F7EBFCF63B3AE65AADB8412A5ADDE1E10EFBE4
SHA-256	331266FFFE8845FFED18782410302EFFD6A40F5E24FA378BFD1E71B086D65D31

Key	Value
MD5	627C3D7EA4CCF6FFB4A1EAE32161840C
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	18.fc21
PackageVersion	20060908
SHA-1	2C2EF24F88E5EDA0D3848CBA87EF9AB565178F15
SHA-256	817759E4D79D6D39A7124C02DB51F2FFF530CF84DF20E1C32BD1E68D67129ADF

Key	Value
MD5	CC1D070ED59439D5B9E302BE7E564CC1
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	4.fc9
PackageVersion	20060908
SHA-1	30F84C8146B6BCB3FBDEA7F35EA9F18F0801BB76
SHA-256	D5DD6664B21E5AF2201B89B4FF8D36CDBD6BF291643BFAAA4C077831A777E6E9

Key	Value
MD5	AAB79170B9902C30918C8396322E488F
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	19.fc23
PackageVersion	20060908
SHA-1	350BE667CD5245814BE48BEECF9E360A41974173
SHA-256	B309B8EF00D9339557C370D840ABA8ED3FFF2CC742EBE010D2D58A6EA16AE5F1

Key	Value
MD5	0D4DB63896D5E16D1ABB64236BDD3474
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	15.fc19
PackageVersion	20060908
SHA-1	3707A3D156581A9DBF3F0398267A339813E4123C
SHA-256	4CBAEEEEAE5F1DA50F79F578BC16A5B5C54EEF0BCA1DF0F2BBE054557E4E1064

Key	Value
MD5	266F987107F23DFE9CCC3D37F8566F31
PackageArch	noarch
PackageDescription	In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast indepedently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
PackageMaintainer	Fedora Project
PackageName	gfs-olga-fonts
PackageRelease	4.fc9
PackageVersion	20060908
SHA-1	3D00EF70A03E9426B58301606D2D9099BD55D199
SHA-256	2FBEEF19EAE11C6B3235441AD2ADEAC7C2A1F4916167DBD55DBE72948A548A64