Result for 183D3BF2364A77517B1122FBA026A914D4E5DCE3

Query result

Key Value
FileName61-gfs-fleischman-fonts.xml
FileSize257
MD52AC6E8F055D189BED31B0BC631E914B7
SHA-1183D3BF2364A77517B1122FBA026A914D4E5DCE3
SHA-256491223A8DD39CCBA325C21EA280A7F496BE3AA314CE13B3D37B6659E3459ED09
SSDEEP6:TM3i0bB2qbcQahTgLRatxD14LeKQre9xMfrFslnNuMrZpL3n/Lv:TM3i0bB2NQqTO+xRoVQsxeQJNJjv
TLSHT12BD0971AAAEA0A4720C36A47FB2AE32D0E8493E3508F30233098B0080FC0349045F303
hashlookup:parent-total3
hashlookup:trust65

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Parents (Total: 3)

The searched file hash is included in 3 parent files which include package known and seen by metalookup. A sample is included below:

Key Value
MD5FC147A5D446E8B6E2A42492DD4B208A3
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remained alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century aesthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease25.fc32
PackageVersion20080303
SHA-115EB88E61CDDE09AF46EC7214A689F23A683D175
SHA-2565D433994B6D731F74E5198A111E261C25B6D489F3B735AE865F5232C6DDD1C0C
Key Value
MD5B9A65ADAC114FAE7C702AAF317A0AAF6
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remained alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century aesthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease27.fc33
PackageVersion20080303
SHA-1F432E5AC2CA7CCC1B8D6E5770576E91901E658EC
SHA-256B2748478E788EC6D54DB5E189D11F9593BF038A5E58595EFCE25C63B1BC0067D
Key Value
MD5644028F723FA50B439274CC6EA39477C
PackageArchnoarch
PackageDescriptionAs it is known, the Greek alphabet was used in majuscule form for over a millennium before the minuscule letters gradually replaced it until they became the official script in the 9th century A.D. Thereafter, majuscule letters were confined to sparse use as initials or elaborate titles until the Italian Renaissance. The new art of Typography, as well as the need of the humanists to mimic the ancient Greco-Roman period brought back the extensive use of the majuscule letter-forms in both Latin and Greek typography. Greek books of the time were printed using the contemporary Byzantine hand with which they combined capital letters modeled on the Roman antiquity, i.e. with thick and thin strokes and serifs. At the same time the Byzantine majuscule tradition, principally used on theological editions, remained alive until the early 19th century. GFS Fleischman was cut by Johann Michael Fleischman, type cutter of the Dutch Enschedé foundry and follows the baroque style of the mid-18th century aesthetics. It has been designed by George D. Matthiopoulos.
PackageMaintainerFedora Project
PackageNamegfs-fleischman-fonts
PackageRelease27.fc33
PackageVersion20080303
SHA-17B6ADD0C9616897BD3F72F98862A24569847A315
SHA-256F896C0152E0F16C27AB63413457FFC79924ABC852814FF922604546DB3E3587E