Parents (Total: 30)

The searched file hash is included in 30 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	ED4A3CA1CF5A5CE410F2FDD7564F5B4A
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	24.fc24
PackageVersion	20070415
SHA-1	0C30C87A0753E1D4141E2417DC8B625ED31A4CDD
SHA-256	A558BD7C937A29616308F09004457D7D7E71E086E063A166775F729B33B3EE68

Key	Value
MD5	C24A1115C5E5022EF602019AE7F63755
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	18.fc19
PackageVersion	20070415
SHA-1	114FC2DCE594CCAB83EDD6537BB0BD59435FBF83
SHA-256	C722F7FD1411A0735DB14ECE71275D5B5FB82710E052F4A8A23BADCE8A41B282

Key	Value
MD5	C00A417D97126DE7706DBEBCB60983AF
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	1E8294B4AF97571E56C6D14F470B35ADA5A3B8F8
SHA-256	A61AFE2290D3406DD2A28FDD7ABC0D55DA203D289C6EF752588B02B2F7BC529A

Key	Value
MD5	E5D1A5D222283DD416A60855F09DDC84
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	16.fc17
PackageVersion	20070415
SHA-1	2224EE71B393E885BBABEA3704CECF28EAB151DF
SHA-256	5836D0E833416B9BE6821515263144E280A534D1FEE850B9BF191E771F16D99B

Key	Value
MD5	335063BD2C8B2EF3E4FEEE0E7C0624D1
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	21.fc21
PackageVersion	20070415
SHA-1	3701FA4E2F4C066B8D4DD0C9B7149A1B5B8FA6FF
SHA-256	BB26C36E183526519FCE7E6B614B1044F49BD883BC4FA60252B40C969846DA46

Key	Value
MD5	082D2626216352A193B98140BF63C627
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	19.fc20
PackageVersion	20070415
SHA-1	44A8AFB729218B93F570ED6A78A9D5F39B021EB2
SHA-256	7837BE27709471D098B9913AE02B586D598139EB048E69CAD3F1E52B26E73253

Key	Value
MD5	E2B5842D9DC6BD0CC6A1DDAC897E28D8
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	15.fc15
PackageVersion	20070415
SHA-1	47400CD987166FBFE4E4980A7998BD4646E45B03
SHA-256	12737CC7B127E777CE1A7E77F72E92F051489D80CC11496EAC59311EE7AFDC5F

Key	Value
MD5	1B3E6AE785BC07B08E9C511901D4B1E7
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	508B47DA450C17ED0CCD9A60B3CBF237A15722FE
SHA-256	B0F43D233E1EBA69C408BDF9AAE01F8B2D151CC6BAB9B41625CBDAEEB3EA366C

Key	Value
MD5	DFABAFF0D9256FC70841DE9B7C1D18E9
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	15.fc15
PackageVersion	20070415
SHA-1	51D499F441B5064A9EF873538B726AB67E787FFB
SHA-256	D9B501561D3A360BC6555AAB9D06555349EE7C8D99A38D8D3976F819B46A3A5A

Key	Value
MD5	612A0149AD91783CD585B476A18B9F73
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	19.fc20
PackageVersion	20070415
SHA-1	5D42F0C7DD1F022030671C670C23F6672688187D
SHA-256	6F5348B43397F7ED5A350EE01E5A2524003E963FFD27D5B55440149C8BEB6F9B