Parents (Total: 10)

The searched file hash is included in 10 parent files which include package known and seen by metalookup. A sample is included below:

Key	Value
MD5	8A8AA1030527FB6D44DA6CA7A1EBC497
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	ED38B0496C3083B431F61098373C18FA6730F75C
SHA-256	2A0A6C2C9CBD377E6C2304ADCBF94AA5112D49C5C3B8ECA68DD3F7821ECA2291

Key	Value
MD5	C00A417D97126DE7706DBEBCB60983AF
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	1E8294B4AF97571E56C6D14F470B35ADA5A3B8F8
SHA-256	A61AFE2290D3406DD2A28FDD7ABC0D55DA203D289C6EF752588B02B2F7BC529A

Key	Value
MD5	ED4A3CA1CF5A5CE410F2FDD7564F5B4A
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	24.fc24
PackageVersion	20070415
SHA-1	0C30C87A0753E1D4141E2417DC8B625ED31A4CDD
SHA-256	A558BD7C937A29616308F09004457D7D7E71E086E063A166775F729B33B3EE68

Key	Value
MD5	91C8B8BBBBA7F029D3E72FA789C5FE7D
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	84BA2E9E1D2629B708F64223BAFC03FDF6443C36
SHA-256	B5A44F40A2EB329FF1FC5BCA490BA916BFB18E387B0866E8EB24EC601BFB2D09

Key	Value
MD5	1B3E6AE785BC07B08E9C511901D4B1E7
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	22.fc22
PackageVersion	20070415
SHA-1	508B47DA450C17ED0CCD9A60B3CBF237A15722FE
SHA-256	B0F43D233E1EBA69C408BDF9AAE01F8B2D151CC6BAB9B41625CBDAEEB3EA366C

Key	Value
MD5	843CD958920538B49532B49AC3187A7E
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	23.fc23
PackageVersion	20070415
SHA-1	C2B1251AA83404FF59C7E4353B11A8165FAEC852
SHA-256	954CFEC87283B962D107EA6C700F7CB8CBA4322F52A0D85CD3E979390E8FF8DA

Key	Value
MD5	74D868F06E1641E5F7BC7F471676AEB0
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	23.fc23
PackageVersion	20070415
SHA-1	A66F6C54753D0144C8599B33BFBAEE0DC9CE673D
SHA-256	0282E1F21EF5ED3AB48C83AF90206F8B275E530E949127766A7929F33D64A4D8

Key	Value
MD5	14FEAC2D0E4E0D4561BBC1EFCEA4FD83
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	23.fc23
PackageVersion	20070415
SHA-1	BB607C657D603D6C28482D8FDF8E7D6F90CA3A0D
SHA-256	BEB3E52F7DA0870821F97F2477BA47C231C97AEEE2E5CB48B3590AC86EE97B2D

Key	Value
MD5	7D14A78B088EEA0D4C035848D086EE0A
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	23.fc23
PackageVersion	20070415
SHA-1	6787DA4251B511B4355B53CCA2E9B401DE45381D
SHA-256	40AEE02E2191E4FA2723CEF5B14A9B9CAF9F24D1C5707C240DF7E272A23CA8E0

Key	Value
MD5	7F3DC2D0617FA4AD65ECC3024173FFDA
PackageArch	noarch
PackageDescription	Yannis Kefallinos (1894–1958) was one of the most innovative engravers of his generation and the first who researched methodicaly the aesthetics of book and typographic design in Greece. He taught at the Fine Arts School of Athens and established the first book design workshop from which many practising artists of the 60's and 70's had graduated. In the late 50's Kefallinos designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. For the text of Kefallinos' Δέκα λευκαί λήκυθοι (1956) the artist used a typeface which he himself had designed a few years before for an unrealised edition of Theocritos' Idyls. Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials. The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
PackageMaintainer	Fedora Project
PackageName	gfs-theokritos-fonts
PackageRelease	24.fc24
PackageVersion	20070415
SHA-1	BE7944B3B7CB0D2A75522A5BA21E022883E44B16
SHA-256	4B399E1D11C81B7522BC7BAE591DA937F256A354F8BA42A145D21B24DC1CCD50